Running from a Pickaxe

Tax-free week in Ohio is the back-to-school version of Rope Drop at Magic Kingdom. If you’re a parent, you know the drill: you’ve got a list longer than the line for Peter Pan’s Flight, desperate for deals and every coupon clipping you can snag. Last Saturday, the Thompsons charged into the outlet malls like it was the opening bell at Black Friday—fast, purposeful, semi-delirious.

Now, if you’ve ever wandered World Showcase in August, you’ll be familiar with the special brand of sweaty exhaustion that set in as we wound our way through the stores, kids melting faster than a Mickey bar in July. Coupon victory came hard, but eventually we limped home, untamed shopping bags in tow, seasoned and slightly singed around the edges.

But the magic didn’t end there! A sign at the end of our street declared in bold: “Garage Sale. Tools and Man Stuff.” For those who share their home with another adult, this was less a suggestion and more a legally compelling summons. Chas vanished faster than a Lightning Lane slot at Rise of the Resistance, Oz in tow, clearly hoping to unearth some hidden Indiana Jones relic (or at least another stick to add to his collection).

Ten minutes and one mini-expedition later, they reappeared, faces radiating unspoken adventure—think dads after surviving EPCOT’s Food & Wine with only a wallet mildly damaged. Moments later, Oz, our seven-year-old, appeared clutching a ten-dollar bill and loudly proclaiming his new life ambition: acquiring a pickaxe. Cue visions of him storming Frontierland, wielding his new prize, with me nervously calculating just how quickly Child Protective Services would respond in our zip code. But hey, boring never makes for good park stories or memorable family runs.

If there’s a lesson buried beneath the layers of outlet shopping, surprise hardware quests, and the ever-present din of “when does school start”—it’s this: structure is more magical than any Cinderella castle. By the time the school year finally started this morning, my fifth grader bolted for the door like he was rope-dropping Seven Dwarfs Mine Train; his enthusiasm was nothing short of Disney magic itself, and I couldn’t be prouder to stand on the sidelines, medal or no medal.

My second grader approached with equal excitement, though laced with those opening day jitters familiar to anyone who’s ever tried a new ride (or new lunch table). He’ll be making friends by lunchtime, probably organizing a lunchroom conga line just to make things interesting.

The preschooler, meanwhile, is pure Tomorrowland—marching to his own futuristic beat, running operations with a tone that suggests he skipped straight past “Cast Member” to “Attraction Manager.” If anyone’s wondering, yes, I’m bracing for parent-teacher conferences featuring references to “leadership skills” (read: tiny tyrant).

But I crave the rhythm as much as the kids do. And after a summer of running from everything—chaos, coupons, pickaxes—I’m ready to settle down with a fastpass for structure and a side of predictability.

So, here’s to tax-free weeks, unexpected adventures, and the kind of family training that leaves you with memories more magical than any race medal or Disney pin. May your journeys be as joyful and slightly unpredictable as a day at the parks—and may your neighbors never need to speed-dial CPS.

And the morning rope drop? Well, we made it. Just keep running forward.

Running to the Land

If you’re a Disney World devotee, you likely have a favorite ride-perhaps even a meticulously ranked list, one per park, cross-referenced by time of day and snack proximity. True Disney adults, of course, go further: we have favorite smells (hello, Rome burning!), napping nooks, people-watching perches, and secret fireworks vantage points. But let’s not get ahead of ourselves.

For reasons I can’t entirely explain, EPCOT has always tugged at me. Maybe it’s the park’s age-just a hair older than I am, thank you very much-or maybe it’s the sense of breathing room. Unlike the sometimes claustrophobic press of the Magic Kingdom, EPCOT’s pavilions and wide walkways feel positively expansive. With an average of over 32,800 visitors a day, that extra elbow room is not just a nicety, it’s a necessity.

After a few years of health challenges, my days of braving the big, fast, and wildly spinning rides are behind me (not that I ever queued up for Mission: SPACE with gusto). Add in the lingering side effects of a stroke, and the fun of thrill rides is replaced by the fun of not needing a nap in the First Aid station.

But one attraction has always been my EPCOT North Star: Living with the Land.

Nestled in The Land pavilion- an architectural marvel of glass and angles since 1982- Living with the Land is a gentle, 15-minute boat ride that glides you through both a classic Disney dark ride and working greenhouses. It’s a hybrid: part animatronic diorama, part science fair, part “please let me live here” greenhouse tour.

The ride begins with a float through recreated biomes: tropical forests, arid deserts, and sweeping prairies, all narrated with a soothing cadence that could lull even the most caffeinated park-goer into a state of Zen. There are 35 audio-animatronics, but the real stars are the living, growing crops and the innovative farming techniques on display.

You’ll see:

  • The Tropics Greenhouse, with rice, sugar cane, and bananas under a 60-foot dome.
  • The Aquacell, where tilapia and catfish swim in tanks, part of Disney’s sustainable aquaculture.
  • The Temperate Greenhouse, showcasing intercropping and specialized irrigation.
  • The Production Greenhouse, where tons of tomatoes, peppers, and lettuce are grown for use right in EPCOT’s restaurants-including the rotating Garden Grill and the quick-service favorite, Sunshine Seasons, both just steps away.
  • The Creative House, where crops dangle from trellises or float in air, suggesting a future where farming might take place on space stations or, at the very least, in your living room.

If you’re craving more, the Behind the Seeds walking tour offers a closer look at these agricultural marvels for a modest fee.

The Land pavilion itself is a microcosm of EPCOT’s mission: education, innovation, and a dash of whimsy. Alongside Living with the Land, you’ll find Soarin’ Around the World-a hang-gliding simulator that’s the pavilion’s most popular draw-and Awesome Planet, a 10-minute film narrated by Ty Burrell that’s equal parts documentary and pep talk for the planet.

And if you need sustenance, Sunshine Seasons is a food court that’s a cut above, with many ingredients harvested mere yards from your tray. For a more leisurely meal, the Garden Grill serves up family-style platters and character hugs, all while the restaurant gently rotates above the Living with the Land ride path.

Living with the Land is rarely more than a walk-on-unless you’ve arrived on a major holiday or during a torrential Florida downpour, in which case, welcome to the club. With a capacity of 1,600 riders per hour (16 boats, 40 guests each), the line moves quickly, and the ride’s nearly 15-minute duration offers a blissful respite from the Florida sun.

EPCOT welcomed nearly 12 million visitors in 2023, and yet, Living with the Land remains a tranquil corner of the park, a place where science, sustainability, and storytelling float along in perfect harmony.

If Disney ever dares to change it, you’ll find me at the entrance, picket sign in hand, ready to defend my favorite boat ride. Until then, you’ll find me in the greenhouse, dreaming of tomatoes and quietly plotting my next nap spot.

Running Towards the Redhead

Ah, the peculiar alchemy of Disney magic – where else but in Anaheim could the whiff of bromine-treated water become as cherished as the scent of fresh-baked churros? Let us embark on a journey through time, tide, and olfactory obsession, to explore how a pirate-themed boat ride became a cultural touchstone steeped in equal parts history and… well, let’s call it “eau de buccaneer.”

A Whiff of History: From Wax Museums to Waterborne Legends

Picture Walt Disney in the early 1960s, dreaming not of talking mice, but of pirates. His original vision? A walkthrough wax museum in Disneyland’s New Orleans Square, where guests might ponder the sobering realities of 18th-century maritime crime. But fate, like a tipsy parrot, had other plans. After the success of the Carousel of Progress’s audio-animatronic marvels at the 1964 World’s Fair, Disney pivoted. Why settle for static wax when you could have drunken pirates belching Yo Ho in three-dimensional glory? Thus, the ride we know today was born – a splashy, cacophonous ode to pillage and plunder, opening in 1967, three months after Walt’s death, as his final love letter to kinetic storytelling.

The attraction’s façade, modeled after New Orleans’ Cabildo (where the Louisiana Purchase was signed), cost $8 million to build – a sum that, in a delicious twist of irony, matched the price Jefferson paid for the actual Louisiana Territory. Disney’s Imagineers, it seems, have always had a flair for poetic accounting.

The Scent of Nostalgia: Bromine, Bones, and Bedlam

Now, let’s address the elephant – or rather, the skeleton – in the treasure room. Early riders might’ve unknowingly floated past genuine human remains. In a move that would make even the most hardened pirate blush, Disney initially sourced skeletons from UCLA’s medical labs. “Realism!” declared Imagineers, eyeing their unconvincing plastic prototypes. Over time, these macabre decorations were given proper burials… save for one stubborn skull. Rumor insists it still grins from a bedpost in the Captain’s Quarters, a bony holdout from UCLA’s cadaver collection. (Disney officially neither confirms nor denies this, but cast members have been known to wink at the notion.)

Yet for all its skeletal intrigue, the ride’s true legacy lies in its smell. That damp, metallic tang clinging to your clothes isn’t mere water – it’s bromine, chlorine’s posh cousin. Chosen for its gentler scent and resistance to California sunlight, this chemical brew creates an aroma as distinctive as Davy Jones’ locker. Combine it with artificial smoke (burning timber! Gunpowder!), and you’ve bottled the essence of pirate life. So potent is this sensory cocktail that fans now buy Pirates of the Caribbean-scented candles – because nothing says “cozy evening” like evoking moldy caves and cannon fire.

A Ride Through Time: Swashbuckling Revisions

No attraction survives 58 years without controversy. Purists still mourn the 2018 overhaul of the “Auction Scene,” where the infamous redhead shifted from matrimonial merchandise to pillaged poultry. (“We wants the redhead!” became “We wants the chicken!” – progress, Disney-style.) Yet the ride endures, its updates layered like barnacles on a ship’s hull. Even the 2006 addition of Jack Sparrow, swaying drunkenly among the animatronics, feels less like corporate synergy and more like finding a celebrity at your local pub.

The genius lies in the details:

  • 620,000 gallons of brominated water, swirling through 1,838 feet of canal.
  • 120 audio-animatronic rogues, including a pig snoozing peacefully beneath a bridge – a nod to Disney’s belief that even pirates appreciate a good nap.
  • That sleeping pig, by the way, has fans. Real fans. People who’d sooner skip Space Mountain than miss their annual glimpse of swine serenity.

Why We Keep Coming Back: The Alchemy of Memory

What explains our collective obsession? Perhaps it’s the ride’s paradoxical charm – a jolly romp through murder and arson, sanitized for family consumption. Or maybe it’s the way that bromine-laced air acts as a Proustian madeleine, whisking ’90s kids back to sticky summers and souvenir straw hats.

Disney’s Imagineers didn’t just build a ride; they engineered a sensory time machine. The bromine, the skeletons, the coyly winking skull – these are the ingredients of nostalgia, simmered in a kettle of technical wizardry and sheer audacity. So next time you catch that musky scent lingering on your shirt, remember: you’re not just smelling water. You’re inhaling history, one chemically enhanced pirate fart at a time.

Yo ho, yo ho, indeed.

Running from the Phoenecians

Ah, dear reader, strap yourself in for a journey through time and space, or at least through the peculiar realm of Disney’s imagination, as we explore the marvel that is Spaceship Earth. This gargantuan golf ball, this colossal cue ball, this spherical spectacle that looms over Epcot like a geometric tumor, has been boggling minds and confusing pigeons since October 1, 1982.

Picture, if you will, a structure so audaciously futuristic that it makes the average UFO look positively pedestrian. This 18-story geodesic dome, wrapped in a dizzying array of 11,324 triangular panels, stands as a testament to human ingenuity, or perhaps to our species’ collective madness. One can’t help but wonder if the designers were inspired by a particularly vigorous game of connect-the-dots.

Now, imagine my wide-eyed wonder as a young lady in 1996, stumbling upon this behemoth for the first time. “Good heavens,” I thought, “has a colossal alien egg landed in Florida?” Little did I know that this extraterrestrial-looking orb housed a ride that would take me on a whirlwind tour of human communication, from prehistoric grunts to the information superhighway, all without the need for a single textbook or a stern librarian’s glare.

Inside this titanium-clad time machine, we’re treated to a parade of narrators that reads like a Who’s Who of distinguished voices. From Walter Cronkite’s reassuring tones to Jeremy Irons’ silky British purr, and now Dame Judi Dench’s regal intonations, it’s as if the history of communication is being whispered to us by a rotating cast of celebrities who’ve somehow found themselves trapped inside a giant ball.

The current iteration, narrated by the inimitable Dame Judi, is a sensory smorgasbord. As we glide through time in our “omnimover” chariots, we’re assaulted by the scent of burning Rome (a curious choice for a family attraction), while interactive screens invite us to ponder our future. It’s all set to a soundtrack so catchy that I often find myself humming it in the shower, much to the confusion of my neighbors.

But here’s the kicker, dear reader: without this plastic fantastic voyage through human achievement, I might not be here, tapping away at my keyboard like a caffeinated chimpanzee. The very existence of this blog, nay, the entire online Disney community, owes a debt to those intrepid Phoenicians and their newfangled “alphabet.”

So when I inevitably collect my “Most Spectacular Epcot Blogger in the Known Universe” award (a category I’m still lobbying to have recognized), I’ll raise my glass not to some deity or Hollywood star, but to those ancient scribes who set us on the path to today’s digital wonderland.

Here’s to you, Phoenicians! May your legacy live on in every tweet, blog post, and wildly inaccurate online review. Without you, we might all still be communicating through a series of elaborate grunts and interpretive dances. And let’s face it, some of us struggle enough with emojis as it is.

Pregnancy is a marathon

IMG_3592We made it to week 40! The big 4-0. It is a comforting feeling, because I know that the growth of Baby T is complete. On the other hand, I have been pregnant for forty week people. And not with just any baby: Chas Thompson’s baby. Those of you that know my husband know him as a noise maker, a wiggler, a wrestler (obviously), but a very sweet guy. Well I may not have met him yet, but I can tell you my son is just like his father, besides the fact that I am fairly certain he will wrestle at 197 or heavyweight based on his and my size at this point! At 34 weeks he was almost 7 lbs already… Yeah.

I am so in love with my husband, but he paces around the house when he is thinking hard or talking on the phone. He is constantly making noise like water dripping, or randomly singing out of nowhere and scaring the living daylights out of me (he has even made the baby jump before). Like his father, my unborn son does not stop moving. I have actually asked the nurse at my prenatal appointments if there is a point when you worry about your baby moving too much. I swear he will come out and be like Dash from The Incredibles, his little legs never slowing down. It’s like hyperactivity disorder in the womb! But in the end, I think he is just a happy boy that likes hanging out with him mom everyday.

When you first get pregnant, you know that week 40 is your goal. If you can cook that baby to week 40, you can relax a little bit, because growth should be done by that point. But for all women who have ever had a baby, you realize how much a marathon this process is. Let’s start from the beginning shall we?

At the beginning of the race, you are excited! You have you number on and are waiting in your corral, and if you are at Disney, you get to see fireworks as you cross the start line. Pregnancy… well I will just leave it at that.

The first few weeks, like the first few miles, you are getting your groove, getting used to the idea that you will be running for hours on end or carrying this baby for months. You feel fairly good as you get your stride, and are excited that you have something to look forward to: the finish line.

After about mile 4-5 (week 6-7 of pregnancy), you start wondering why you are doing this. You have so far to go. At Disney, you aren’t even to the Magic Kingdom yet! You need food and fuel, but you sort of feel like you might spew at any minute, but you force down that gel anyway. Really you just kinda wanna lay down. This is called the first trimester, and it lasts until about mile 8 or so.

From mile 8 to mile 18 (week 13-27), things start to go numb. Things hurt occasionally, but you are sort of in your groove, and the crowd of excited fans has finally thinned out a little bit. You realize that there is no turning back now, so you are basically just going through the motions attempting to make it to the next mile (or milestone). With every gel, your energy level increases for a bit, and you feel like you can actually accomplish something here.

Once you hit mile 20 (week 30ish), you know that you have only a few more to go before you get to see that finish line. You are once again excited and rejuvenated, but at the same time, your body hurts so bad that it is hard to concentrate on finishing. You know you will and can, but sometimes you just want to stop and cry, asking yourself why in God’s name did you sign up to do this in the first place!

The last month of pregnancy is pretty much identical to the last .2 miles of a marathon. It takes forever to get there, and you are sure that you were probably in such a daze you ran right past the finish, just continued to keep running and missed it, because there is no way in hell that .2 miles takes this long to run. Yep, that is pregnancy after week 36. You know what is coming. You are constantly in pain with a foot in your rib, nerve pain that cripples you at the drop of a hat, and peeing 14 times a night. You know this is what you have been working for these past nine months, but the ending is so unpredictable that you are still nervous. 

I know at some point I will make it to the finish line. We aren’t there quite yet. And like getting that nice shiny medal, my little baby will be the prize at the end of a long race. And oddly enough, I will probably be walking the same as if I had finished a marathon when he finally gets here. I am also fairly certain that when I see him, as when you finish a race, I will forget about how horrible the full experience really was and probably sign up for another. However, I am telling my husband that we are never doing this again…

On My Way…

Coming to you live from the Houston- George Bush International Airport… I am finally on my way to Orlando, Lake Buena Vista to be exact. I don’t know if it is nerves, or what, but I haven’t had the best day so far. I had a massive coughing fit this morning on my way to the airport. This has happened to me before, but during an interview, with the Chicago Bulls none the less. I think it is a way for my nerves to come through without acting live nerves. Thank God I haven’t thrown up yet… That tends to be a very common occurance in my life when nervousness is involved.

I left San Jose at 7 am on a flight that seemed much for like a roller coaster ride with lots of jerks, and bumps. At one point I couldn’t even keep my small glass of orange juice on my tray table. We were swaying so bad that it was going to spill any second, so I spent about 15 straight minutes holding it. By the end of the 3 hours and 50 minute flight, I was claustrophobic  extremely motion sick, and READY to get off of that plane. There are some major storms over the south right now, so I am fearing the same thing from Houston to Orlando… We will see how it goes.

My mom will be waiting there when I arrive, and I am anxious to be taken care of for a few days. Many of my Disney friends will be in attendance, and I am super pumped to see them and reconnect. Oh, and I am running 39.3 miles… and like i posted on my Facebook page yesterday, come hell or high water, I am going to run that 39.3.